Let’s all do our part to beat this thing so we can go back to the complete movie going experience! ![]() So please, if you’re feeling sick, just write us at and we’ll offer your complimentary tickets to a future screening when you’re healthy. But it will make everything much quicker and easier if you pre-order!ģ)PLEASE BE AWARE THAT ANYONE EXHIBITING COVID OR FLU LIKE SYMPTOMS AT THE DOOR, WILL BE OFFERED COMPLIMENTARY TICKETS TO A FUTURE SHOW AND ASKED TO RETURN WHEN HEALTHY. We will be able to sell concessions & merchandise at the theater. You can pick up all concessions & merchandise at our tables in our lobby prior to the screening. All folks MUST wear their masks when not eating/drinking concessions for their safety.Ģ)PRE-ORDER ANY CONCESSIONS OR MOVIE MERCHANDISE you would like from the additional Add-Ons. ***ALL GUESTS WILL BE TAKEN THROUGH PROTOCOLS PRIOR TO ENTERING THEATER SO EVERYONE CAN HAVE A FUN AND SAFE TIME.ġ)PLEASE BRING AND BE READY TO WEAR A PROPER MASK AT ALL TIMES INSIDE THE THEATER. We’ll have staff to help guide/park you.Ĩp THE RAID(2011, wri/dir by Gareth Evans, Sony Pictures Classics, 101mns, 35MM)ġ015pm THE R AID 2 (2014, wri/dir by Gareth Evans, Sony Pictures Classics, 150 mns, 35MM) We’re the first set of black steps after the big gate. Make a right on Wilson Street, then a right behind the building. *Please note entrance/parking is actually in the back of the building. LOCATION: The Secret Movie Club Theater, 1917 Bay Street, 2nd Floor, Los Angeles, CA 90021 That’s a great moment, but it - like everything in the movie that works - is just pure sensation.MARTIAL ARTS MARVELS 35MM DOUBLE! Friday, August 27, 2021 When a bat-wielding thug swings and connects, the camera spins as if it took the blow. There’s also a female enforcer who kills with a pair of hammers she mocks the silent-killer archetype by using sign language.Įvans has lots of ideas, but the good ones are mostly visual. In one scene, a dying man is chased outside, where his blood splashes vividly on white snow - a form of precipitation not seen in tropical Jakarta. (The director’s first short, made in his native Wales, was a samurai tale, complete with Japanese dialogue.)Įvans might intend for “The Raid 2” to be a solemn “ Godfather”-like study of loyalty, ambition and betrayal, but he can’t resist absurd flourishes. The plot allows for a broader range of locations, scenarios and, yes, fights than the first “Raid.” But the movie is also a playful self-indulgence for Evans, a devotee of violent Japanese cinema. One of the agitators is Uco, whose actions put Rama in the middle of a gang war. Things get ugly when certain people try to break the truce between the two factions. The plan works, and after the men are released, Rama goes to work for Uco’s dad, Bangun (Tio Pakusadewo).īangun has long co-existed with Goto (Kenichi Endo), who heads a Jakarta-based Japanese crime family. “The Raid 2” sends Rama undercover to prison, where he’s assigned to ingratiate himself with Uco (Arifin Putra), the son of a local crime lord. He’s much better at punching than brooding, pondering or vacillating. The story is convoluted without being profound, and although there are some strong secondary performances, Uwais is interesting only when in motion. The script and acting, however, prove less successful. The fight choreography - by Uwais and co-star Yayan Ruhian - is brilliant the filming, editing and sound design are flawless. Writer-director Gareth Evans and his collaborators, essentially the same team as before, have absorbed and refined the tactics of many action masters, notably Hong Kong’s Tsui Hark. The brawling itself is every bit as inventive and exhilarating this time around. But the sequel runs nearly an hour longer and has a less dynamic rhythm. “The Raid 2” features the same hero, Rama (Iko Uwais), and pays homage to the earlier movie by staging many battles in tight quarters, including a car, a prison cell and a walk-in wine cabinet. Beleaguered SWAT cops fought their way to the top of the building, and one of them prevailed through the brutal, claustrophobic combat. The first film was basically a non-stop action sequence, set almost entirely in a gangster-infested tenement. ![]() But this time the genius is intermittent. ![]() Its follow-up, “ The Raid 2,” is equally diabolical. ![]() “ The Raid: Redemption,” which kicked and slugged its way out of Jakarta two years ago, was a work of diabolical genius.
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